RANCIÈRE AND AFFECT

One of the main ways I try to think about the political implications of improvisations is through Rancière. I won’t go into all of it here, but part of what this involves is linking up Rancière’s political thought with affect theory. I do this not only because Rancière’s politics make sense with the kind of … Continue reading RANCIÈRE AND AFFECT

BIG FEELINGS, QUEER PHENOMENOLOGY, AND THE OPHELIAS

I’m giving a lecture on The Ophelias next week for an entire hour. I am really excited about this, not only because I will be able to try out some new ideas for the first time in public, but also because I’ll get to talk about many of my favorite things: feminist rock, music history, … Continue reading BIG FEELINGS, QUEER PHENOMENOLOGY, AND THE OPHELIAS

A VERY PRELIMINARY IDEA

I am curious to know when and how extended chords1 appear in rock music, specifically from the 90s onward. Chord extensions are certainly not unheard-of in rock, but nor are they standard or even common, depending on what sub-genre we’re talking about.2 And that’s the curiosity that I have: when, where, and why do extended … Continue reading A VERY PRELIMINARY IDEA

HGTV

is an entire channel devoted to cruel optimism. What’s interesting to me is how neatly its form of cruelty fits into a seemingly prescribed genre of American mythology about home-ownership and upward mobility. As these notions become increasingly fanciful for more and more Americans, the teary-eyed “reveal” of HGTV becomes increasingly uncanny. What I would … Continue reading HGTV